One of the capital’s largest open spaces has been adorned with colourful flowers and evergreen trees as the Valletta Green Festival begins. The popular festival at St George’s Square will continue until Sunday.

In previous years, the large open space in front of the President’s Palace would showcase a large flower display, usually depicting an animal, but this year trees and plants create a trail, for people to walk around and enjoy.

The temporary garden showcases over 18,000 trees and flowers, including pink, red and yellow Hydrangea flowers and large white Viburnum plants.

This will be the 10th edition of the Valletta Green Festival, which Valletta Cultural Agency chair Jason Micallef said is the largest so far.

“We are aware that Valletta lacks green lungs, so we transformed this large open space into a garden of dreams,” Micallef said.

He said while the garden can not become permanent due to the number of national activities that take place in the square, he said that the benefits of such an open green space can already be seen.

People were seen walking around the garden, taking pictures and sitting on the benches enjoying the greenery.

A drum band entertained people of all ages at the opening ceremony.

Micallef said the Agency makes an effort to be environmentally conscious in its activities.

“My word of advice to authorities, especially local councils, is that we can do so much more to make our open spaces, no matter the size, more green,” he said.

On Wednesday, the festival will host several stands for environmental entities such as Ambjent Malta, ERA, Project Green and others.

There will also be an eco-market along Old Theatre Street selling Maltese organic produce over the weekend.

The plants were provided by Derek Garden Centre, and at the end, leftover flowers will be distributed to the general public and local councils.

Article credits: https://timesofmalta.com/articles/view/valletta-green-festival-turns-st-georges-square-garden-trail.1028786

Exciting news! The team at Colours of Malta will be attending IMEX Frankfurt 2023 between 23rd and 25th May at stand number D120. If you’re interested in learning more about our creative approach to event planning and our commitment to delivering unforgettable experiences for our clients, we’d love to meet you!

Our team of experienced professionals will be available to answer any questions you may have and discuss how we can partner with you to create unique and authentic MICE experiences for your clients.

Don’t miss this opportunity to meet the Colours of Malta staff at IMEX Frankfurt 2023. Come and visit us at stand number D120. We can’t wait to see you there!

Contact us via email at [email protected] or directly on Imex portal on https://imex-frankfurt.com/newfront/exhibitor/colours-of-malta

The Phoenicia Malta is thrilled to announce that is has been selected to become a member of Virtuoso, one of the most prestigious luxury travel networks in the world.

The Phoenicia Malta has long been recognized as one of the island’s finest hotels. From the day it started welcoming guests in 1947, the hotel has presented refined and luxurious experiences. Over recent years the owner has invested considerably despite the quiet Covid years, resulting in new or improved amenities such as the beautiful Deep Nature Spa, rejuvenated gardens, the new look of the much-loved Club Bar, as well as the newly created Pegasus Junior Suites. All this, combined with the world-class service offered by The Phoenicia Malta team ensures that guests leave the hotel with beautiful memories and a desire to return.

Virtuoso is the leading global network of agencies specializing in luxury and experiential travel, with more than 20,000 advisors and partnering with the world’s best hotels, cruise lines, tour operators, and more.

Robyn Pratt, General Manager, says ‘We are proud to have been accepted by Virtuoso to join their network of luxury properties worldwide. Together with our owner we are constantly improving on both the product as well as guest experiences. It is therefore gratifying to be recognized officially by such a prestigious organization, and we look forward to being represented by exceptional travel consultants working to deliver memorable experiences to the world’s most discerning travellers.’

AX Hotels, part of the wider AX Group, announced the launch of its brand-new destination concept AX ODYCY Hotel, at the former site of the Seashells Resort at Suncrest in Qawra.

The group says that the new hotel will welcome its first guests in the “coming weeks” and has been designed as a “year-round destination” which is set to “revitalise” the seaside promenade with a multi-million Euro investment.

Spearheaded by AX Group and designed by architecture firm Box Concept Studio, the group says that the destination will reignite interest in the area, create employment opportunities, and also contribute significantly to the local economy.

The extensive redevelopment and rebranding of the former renowned Suncrest adds four storeys to the existing structure, making it one of the largest hotels on the island and increases the number of hotel rooms to 600. These range from family-friendly and economy options, to luxurious, unique suites, along with other facilities and dining options. These include Medusa, a new level 10 skybar, Sidestreet, a new sophisticated lobby bar, the hotel’s new buffet restaurants, Deck and Keel, and other amenities.

“Everything about this project will do things differently, with quality and genuine character infused in every step,” AX Group Chairman Angelo Xuereb said.

“We’re excited to share it with the public and add another landmark to our portfolio that our team can be proud of. After all, it is thanks to them and their loyalty that we have achieved all this, together with the many people who have been part of the Suncrest story over the decades,” he added.

“We hope this new venture is one that will be enjoyed by generations to come, as we breathe new life into Qawra once again,” he concluded.

Article credits: https://whoswho.mt/en/ax-group-to-launch-new-600-room-hotel-at-former-site-of-seashells-resort-at-suncrest-in-qawra

Restoration work on the façade of the Oratory of the Sacred Heart of Jesus, Mosta began in August 2022, and are expected to be completed by the end of May 2023. The Restoration Directorate were responsible for this project, from the documentation to the work on the Oratory itself.

The Oratory of the Sacred Heart of Jesus was completed in 1935 and inaugurated in 1940, based on the design of architect Nettu Mifsud Ellul. During World War II, a bomb fell in the square in front of the chapel, causing some damage to its façade, which can still be seen today.

Mosta mayor Chris Grech noted how Mosta has changed over the years from an agricultural village to a large residential city and an important commercial centre.

“We cannot make the advances we have achieved without appreciating the legacy left to us by our predecessors, Sacred Heart of Jesus in Mosta is a cradle of civic, religious, dramatic and sporting culture for the whole generations of ‘young people and adolescents. For them the Oratory was their second home”.  Concluded the Mayor.

Read the full article here: https://lovinmalta.com/culture/mosta-oratory-being-restored-from-ww2-damage/

The conclusion of 16 years of restoration work on the set of the 300-year old 29 tapestries for St John’s Co-Cathedral will be commemorated with a unique opportunity for the public.

For a month and a half from the beginning of next month, the full set of hanging tapestries at the Co-Cathdral can be admired by the public for their artistic masterpiece with a religious significance. Preparations for this occasion are at an advanced stage.

he last occasion when the tapestries were hanged on the Co-Cathedral walls was in May 1990 when Pope John Paul II visited St John’s Co-Cathedral.

With a history of 300 years, damage on the tapestries was evident on their wool and silk, damage caused through light and the UV rays.

Preparations are currently underway at the Co-Cathedral for the mounting of the full tapestries set to be exhibited for a month and a half…..an occasion with the tapestries which will be exhibited for the first time following their restoration.

The St John’s Co-Cathedral Foundation chief executive, Tonio Mallia, said the hanging system of the tapestries had to be slightly changed as a result of the restoration.

The tapestries set, which was a gift by Grand Master Ramon y Perellos to the Order’s Conventual Church, were woven in Brussels and arrived in Malta in 1702. The Co-Cathedral’s curator Cynthia Degiorgio, said that the full set contains 29 masterpieces that together measure 870 square metres. During the Order’s time, they were hanged inside the Co-Cathedral for the feast of Corpus Christi and remain there till the feast of St John the Baptist on 24 June.

The tapestries restoration was carried out by an expert team in the De Wit laboratories in Belgium. Ms Degiorgio stated that the restoration process, mostly on the pure wool and silk, was long because of the tapestries size and the cleansing operation with special equipment.

The public exhibition of the tapestries from 5 May till 24 June will also be the first time that the tapestries will be exhibited after their restoration in a process that lasted 16 years at a cost of €1.3 million euro for the Foundation.

Read the full article here: https://tvmnews.mt/en/news/unique-opportunity-for-the-public-to-admire-knights-era-hanging-tapestries-at-st-johns-co-cathedral/

Photographer Daniel Cilia explores Malta’s water reservoirs for new book. Daniel Cilia waded through toxic sewers and scuba-dived into water reservoirs for a new book, 8000 Years of Water. He tells Daniel Tihn the stories behind six photographs that show a side of Malta never seen before.

Tas-Silġ reservoir, Marsaxlokk
“This had never been photographed before,” Daniel Cilia said about his venture into the Tas-Silġ reservoir. Although the site had been scanned by a floating drone while the reservoir was full of water, “nobody had actually gone down there”.
Cilia and his partner Louise Calleja – who helped with many of the book’s photographs – had to be lowered by crane into the dry reservoir along with all the heavy and expensive equipment. “That gives you that kind of excitement. You say, ‘Oh my God, I’m somewhere where nobody’s been for a lot of years.” The photo had to be taken during the summer months as the hot period left the reservoir dry and, therefore, explorable. “Some places you would like to have some water, but in some others, like this, it’s not safe to go down there with water because there could be holes. In fact, in many places we used walking sticks so, if there’s a hole, you can feel it before you put your foot.”

Għar Ħarq Ħammiem, St Julian’s
“The challenge in Għar Ħarq Ħammiem was to light up the whole cave, which is above water, but also light up underwater in one photograph,” Cilia said. In Għar Ħarq Ħammiem, this meant first finding a vantage point on rocks that fell “thousands of years ago, if not millions.” With the tripod set up, Cilia set about lighting the cave, a problem with two solutions. He could either take a series of photos, lighting each one accordingly and then stitch them together into a 180° panorama, or he could take a single shot with a long exposure time and go around the cave with a torch to light everything.
Cilia went for the first option, taking a panorama made up of eight photographs, which meant that the photo could be captured without using a fisheye lens, a lens “I personally hate,” he said. This lens distorts light to capture a wider image at the price of an alien look, bending the edges to create a rounded aesthetic. “The result is very unnatural, it’s something we never get to see with our own eyes. I like doing photography which is like if you are standing in the place where I am so people see the same thing that I’m seeing”. To show the scale of the cave, he placed people in the image so that viewers could “realise immediately the size of the place.”

Fort St Elmo, Valletta
One of “the most amazing experiences” the photography couple had was when they were taken down into an extremely large reservoir under Fort St Elmo in Valletta, lit only by tiny holes in the roof. “When I saw it for the first time, I was like: ‘How am I going to light this?’” The answer: an inflatable kayak. Cilia, like in a few other photos in the book, took the kayak into the reservoir for a “reconnaissance” to figure out how to light the photo and check if there are any issues such as oxygen levels.
In the book, however, the photos look extremely well-lit which does not convey the reality of how dark the capital’s cavern was. “To go with a kayak and you hear the echo of the water, you have a depth of about five metres under you, you look up and see these wonderful, vaulted roofs that the knights built… it’s an experience in itself.” One of the many hidden and unexplored gems in the book, few know of the historical structure’s existence. “I had photographed Fort St Elmo many times, but I had never seen this place before.”

Fort Madliena, Swieqi
Now a headquarters for the St John Rescue Corps, the newly-restored Fort Madliena was a unique experience for Cilia. He had wanted to photograph the reservoir for months but was denied access due to silt leading to possible injuries. The opportunity arose, but with terrible timing. His partner was in hospital undergoing surgery when Cilia received a call from the Rescue Corps telling him that rain had shifted some silt to allow for a quick photograph. As the book was days away from being printed, Cilia decided to grasp the chance for a once-in-a-lifetime opportunity. “At the end of the day, Louise is in the operating theatre, she’s not going to know whether I’m out here or not so I ran home, got the equipment […] and went there, did the photograph, got it into the book, went back to the hospital in time, and by the time Louise came up I said: ‘I wasn’t here all the time!’ “It’s one of those stories that I’ll remember for all my life.”

Drainage tunnel, Fgura
Photographing drainage tunnels introduced more problems to the ever-growing list, Cilia said as he and Calleja had to wear goggles, oxygen canisters and special suits to avoid toxic gasses. “There is, obviously, the smell which is connected to any kind of drainage, but because of that smell you end up not smelling the gas that is very dangerous. “It knocks you out and you are dead within minutes” – a scenario that sadly played out some 22 years ago when three public works department employees succumbed to the poisonous gas.
An experienced scuba diver, Cilia knew how to use the oxygen tanks as the couple explored the waste-filled catacombs with closed masks. “You are actually walking in sh**, but you don’t smell anything because you are taking oxygen,” he said.

Nigret, Żurrieq
One of the stunning photographs in the book was taken with a smartphone, chosen because it is waterproof and easily portable while diving. The shot shows the Nigret drinking water reservoir which is near a playing field so wind tends to carry a lot of rubbish into it. When this happens, a scuba diver is asked to plunge into the fresh pool to clean it up and on one occasion, Cilia joined to observe from behind the lens. Before going in, Cilia had to clean himself thoroughly as the water is drinkable.
Also a panoramic, five photos were stitched together vertically to include the diver deep in the reservoir’s water while simultaneously showing off the ceiling’s architecture. “It was quite an experience.”

Article credits: https://timesofmalta.com/articles/view/underground-malta-never-seen.1006057